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Twenty Outrageous Album Covers: Volume One

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    Screen shot 2013-08-29 at 2.14.03 PM

    The word “outrageous” has many definitions, some positive and some negative. “Exceeding the limits of what is usual.” “Deficient in propriety or good taste.” “Something that doesn’t make any goddamn sense.” Alright, so we made up one of those, but you get the idea. So what makes a truly outrageous album cover? For our list, which starts with the most recent album and goes backwards, we simplified the criteria: it should be something that makes you scratch your head and say, “Huh?”

    In fact, one of these records does that exact thing if you just say what’s printed on the front. Make no mistake; none of this is a question of good or bad (although some of these certainly fall into the latter category). Otherwise, we would have included plenty more albums from the ’80s. It’s more a question of the bizarre. The strange. The unexplainable.

    Confused? Read on. Not that you’ll be any less confused when you finish. But hopefully you’ll be entertained. And, as always, list anything you think we missed in the comments section — especially for the inevitable second volume.

    –Dan Caffrey
    Senior Staff Writer

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    Empire Of The Sun – Ice On The Dune (2013)

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    Australian electronic duo Empire of the Sun seems to have a penchant for album covers that could pass as video game posters. For their second record, the artwork ties in with the release of a fictional story about a prophet and an emperor. But which one is which? The fancier dressed guy is probably the emperor, since emperors are usually rich, but each performer’s getup seems to be from a different run-of-the-mill RPG. Some people claim it’s inspired by the Dune series, but Frank Herbert’s confounding opus somehow has more visual coherence than this. –Erin Carson

    Bat For Lashes – The Haunted Man (2012)

    Bat For Lashes The Haunted Man

    Bat for Lashes’ Natasha Kahn told NME that the concept behind the cover of The Haunted Man was to eschew makeup and clothing in honor of women like Patti Smith. Kahn worked with photographer Ryan McGinley, who shot the image for Sigur Rós’ fifth studio album—you know, the one where they’re all naked. –Erin Carson

    Spiritualized – Sweet Heart Sweet Light (2012)

    Spiritualized Huh cover

    Spiritualized frontman Jason Pierce has said that the “Huh?” image personifies how the medication he takes for his liver disease causes him to feel. That makes the artwork a bit melancholy, regardless of how outrageous it is. Good thing the album is so uplifting. –Dan Caffrey

    311 – Universal Pulse (2011)

    311 Universal Pulse

    311 have always been about unity (hell, it’s the name of one of their earliest albums), so we get the inclusion of nature, space, and different environments on the cover of their tenth release. It’s the choice of wildlife that throws us off. Are we meant to believe that if baboons, bald eagles, and bighorn sheep all got along, then the world would be a better place? What about humans? Oh wait, there’s a small group of them riding camels through the desert. It’s there, we promise! Bottom right corner, past all the goofy lines. Those are energy waves, we think. You know, like a pulse. A universal pulse. A universal pulse that will bring us all together. The birds, the ovines, the primates, and of course, the tiny, tiny humans. –Dan Caffrey

    Lady Gaga – Born This Way (2011)

    Lady Gaga Born This Way

    Half motorcycle, half angry woman—the metaphor gets a little muddy on Lady Gaga’s sophomore album. It also may have ripped off a dream sequence in the fifth A Nightmare On Elm Street film. Unsurprisingly, the image’s reception from both fans and critics was rather tepid. Not that it hurt sales. Born This Way still sold 1.1 million album in its first week. –Erin Carson

    Toro Y Moi – Underneath The Pine (2010)

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    Listen, Chaz Bundick, I know your music is sexy, but there’s no way I’m going underneath that pine with you. Maybe it’s that I can’t see your eyes. Maybe it’s the film of sweat around your lips. Maybe it’s that weird plant thing you’re chewing on, which, on second thought, looks like a tentacle or maybe a bird wing, or maybe a stalk of baby corn that’s gotten all bent out of shape from something you did with it. So no thanks. I’ll stay over here with the photo from Washed Out’s first album. Now that’s sexy. –Dan Caffrey

    The Flaming Lips – Embryonic (2009)

    embryonic

    To be fair, Embryonic‘s album art matches the actual album. The music is demented and formless while still sucking you in, kind of like the scene where Alex gets tortured with violent video footage and eye-drops in A Clockwork Orange. But none of that explains The Flaming Lips’ decision to include all that hair. It sort of resembles the body of a worm—tubular, then open at the front to expose a face. A fur worm. Look at it right before you go to bed and you’ll have outrageous(!), if terrifying, dreams. –Dan Caffrey

    Santigold – Santogold (2008)

    santigold

    While vomiting golden glitter is typically reserved for unicorns and kindergartners who just got out of art class, Santigold liked the concept proposed by designer Isabelle Lumpkin just fine. The singer told New York Magazine that her label was initially queasy about the shiny puke, but as long as they could see her face, they’d deal with it. –Erin Carson

    Queens of the Stone Age – Era Vulgaris (2007)

    Era+Vulgaris

    Josh Homme says that the light bulbs on the cover of Era Vulgaris were inspired by cartoons being used to sell bad things to kids (cigarettes, sugary cereals, etc.). So the graphic designers invented a couple of characters (Bulby and Stumpy!) to sell a Queens of the Stone Age album. “But why light bulbs, Josh?” Well, he’s gone one record saying that they represent “…what you perceive to be a great idea that really is not that great of an idea.” Kind of like this album artwork. If an animated character was going to sell something to kids, you think they’d be a little cooler. Maybe an animal or a leprechaun. To be fair, this seems to have all been done in jest, plus one of the light bulbs is at least dressed like a pirate (that one’s Stumpy, in case you couldn’t tell). Still, that doesn’t make this thing any less frustrating to look at. –Dan Caffrey

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