Twenty Outrageous Album Covers: Volume One


    Screen shot 2013-08-29 at 2.14.03 PM

    The word “outrageous” has many definitions, some positive and some negative. “Exceeding the limits of what is usual.” “Deficient in propriety or good taste.” “Something that doesn’t make any goddamn sense.” Alright, so we made up one of those, but you get the idea. So what makes a truly outrageous album cover? For our list, which starts with the most recent album and goes backwards, we simplified the criteria: it should be something that makes you scratch your head and say, “Huh?”

    In fact, one of these records does that exact thing if you just say what’s printed on the front. Make no mistake; none of this is a question of good or bad (although some of these certainly fall into the latter category). Otherwise, we would have included plenty more albums from the ’80s. It’s more a question of the bizarre. The strange. The unexplainable.

    Confused? Read on. Not that you’ll be any less confused when you finish. But hopefully you’ll be entertained. And, as always, list anything you think we missed in the comments section — especially for the inevitable second volume.

    –Dan Caffrey
    Senior Staff Writer


    Empire Of The Sun – Ice On The Dune (2013)


    Australian electronic duo Empire of the Sun seems to have a penchant for album covers that could pass as video game posters. For their second record, the artwork ties in with the release of a fictional story about a prophet and an emperor. But which one is which? The fancier dressed guy is probably the emperor, since emperors are usually rich, but each performer’s getup seems to be from a different run-of-the-mill RPG. Some people claim it’s inspired by the Dune series, but Frank Herbert’s confounding opus somehow has more visual coherence than this. –Erin Carson

    Bat For Lashes – The Haunted Man (2012)

    Bat For Lashes The Haunted Man

    Bat for Lashes’ Natasha Kahn told NME that the concept behind the cover of The Haunted Man was to eschew makeup and clothing in honor of women like Patti Smith. Kahn worked with photographer Ryan McGinley, who shot the image for Sigur Rós’ fifth studio album—you know, the one where they’re all naked. –Erin Carson