Barcelona’s Primavera Sound: 15 Great Years, 15 Top Sets

Adam Kivel and Lior Phillips pregame for their upcoming trip to this year's festivities.


    The 15th anniversary of Barcelona’s Primavera Sound is right around the corner, and in order to celebrate, we thought we’d throw it a birthday party in the form of a look back at its brightest moments. So, click through for the best of the best from the festival’s decade and a half, from its very first set to today.

    Sr. Chinarro (2001)

    Opening the very first Primavera Sound festival is a big honor, one that went to Seville, Spain, indie outfit Sr. Chinarro. Antonio Luque’s syrupy sweet vocals and shimmering guitar set the tone for the festival, the outfit’s new wave and retro pop making the perfect match for the open air in a Barcelonan spring. Fittingly, Luque’s been a welcome presence throughout Primavera’s 15 years, and the organizers will be bringing him back this spring to celebrate the anniversary. –Adam Kivel

    LCD Soundsytem (2003)

    “I’m losing my edge/ The kids are coming up from behind/ I’m losing my edge.” This is frontman James Murphy in all his punk rock slant and captivatingly frantic splendor, crying out the opening verse to an unsuspecting crowd of Primavera Sound goers in 2003. But the message wasn’t accurate. It didn’t matter that they hit the stage with only two singles to their name at the time because this appearance would power LCD Soundsystem right over the edge, just so they could invent a new one. It had to do with them setting the stage for hyper-hip indie versions of tracks that sounded like Todd Rundgren meets Talking Heads rallying Brian Eno’s funk-punk intricacies. Even then, their sound and spirit felt humongous enough to fill a festival arena. “Losing My Edge” finds Murphy at the tail end, chiming, “But I was there” — and oh how we wish we had been. –Lior Phillips

    Wilco (2004)

    A lot of things changed for Wilco after the release of Yankee Hotel Foxtrot in 2002, including a serious raise in expectations. So, in the summer of 2004, the Chicago indie rockers played the festival in what would be their inaugural trip to Spain, bringing along with them tunes from the soon-to-be-released A Ghost Is Born. The setlist cherry-picked from those two albums beautifully, giving the crowd their first chance to see YHF mainstays as well as get in on soon-to-be setlist mainstays like “The Late Greats” and “Hummingbird”. The pairing was a success, as Wilco made triumphant returns in both 2007 and 2012. –Adam Kivel

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