Top 10 Songs of the Week (9/25)


    This week saw the premiere of the new Muppets TV show, a hotly anticipated project among those of us in the CoS office. While we may not have necessarily loved the first episode of the new ABC series, it brought about the “Statler and Waldorf review music” bit, which made this week’s Top Songs review process a lot of fun. At least for us. The good news for you? Only the great songs are left after that, so you don’t need to sit through the iffy impressions and bad puns. Instead, just lock into the excellent grooves below and forget we ever mentioned it.

    10. Yvette  – “Calm and Content”

    Yvette Calm and Content

    The repeating drone of “Calm and Content”, the latest from New York noise punks Yvette could very well be the sound of the devil’s landline ringing. The duo do some serious damage in just over two minutes, equal parts thump, smash, burn, and slice. Noah Kardos-Fein delivers mantra-like lines as Dale Eisinger builds layers of searing synth and percussion. This isn’t the most complex track of the week, but it’s seriously cathartic and sure to get your head boiling and your blood aching. Or blood boiling and head aching. Or both. This one’s anything but calm and content. Yvette’s new EP, Time Management, drops October 2nd on Godmode.  –Adam Kivel

    09. Sports – “Get Bummed Out”

    Sports Band

    Like most of their post-Saddle Creek indie rock generation, Sports love guitars that sound tossed off from the back of a minivan and bass lines that could have been dug up from a dusty basement. But the Ohio foursome doesn’t lean on the trappings of their affable, approachable microgenre; their hooks are sharp and urgent, not lazy and loose, and definitely not slackadaisacally ironic. On the band’s latest single “Get Bummed Out”, singer Carmen Perry stretches her syllables over the chorus as she yearns for stability while facing down an uncertain future. “I can take care of myself/ I just wish sometimes that I didn’t have to,” she sings, and the relief she hungers for feels both within grasp and impossibly far away at the same time. –Sasha Geffen

    08. Isaiah Rashad – “Nelly”


    Inspired by Southern rap history like his previous “R.I.P. Kevin Miller” and “Brad Jordan”, Isaiah Rashad‘s “Nelly” is a nonchalant, singsong whirl on the surface. But coming from a guy who invoked suicide multiple times on his 2014 Cilvia Demo, things can only get so relaxed. Here, the TDE rapper worries about being embraced as a musician, much like on Cilvia‘s “Heavenly Father” (“If I give my story to the world, I wonder if they’d book me for a show,” he stressed then). Named after the St. Louis rapper who found massive mainstream success in the early and mid 2000s, “Nelly” isn’t a diss track, just a tribute to the diversity that’s possible in hip-hop: “We can’t be no number one, but we can be the jam.” It’s something an artist as inventive as Rashad knows a thing or two about. –Michael Madden

    07. Boots – “Bombs Away”


    “Bombs Away”, available November 13th via Capitol, is born from the dark electronics of mid-1990s trip-hop, which makes it difficult to comprehend that its creator, Jordan Asher, aka Boots, was also the force behind Beyonce’s self-titled 2014 album. Despite his moment in the public consciousness, Asher hasn’t restricted the jarring noise that punctuates his melancholy. His minor key endeavors intensified the brooding character of “Haunted” and “Drunk in Love”, and the anxiety only builds when paired with his distorted vocals. Not only does the track challenge pop music standards, it opens the path to talents like Massive Attack, Tricky, and Portishead. And that deserves to be celebrated — repeatedly. –Derek Staples

    06. DJ Paypal – “Awakening”

    DJ Paypal

    Flying Lotus brought free jazz to an entirely new base, and DJ Paypal further explores the connections between West Coast beats and smoky backroom brasswind duels during his “Awakening”. Ripped from his Sold Out mini-album, available November 13th via Brainfeeder, the single is likely to turn thousands of worldwide twerkers into a new generation of flapper. With the horns punching at a footwork gait and intermittently straying into polyrhythms, keeping the pace is no easy task. Does any US label not associated with Flying Lotus have the reputation to release this track? If so, please let us know in the comments, because we promise to explore further.  –Derek Staples

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