Top Performances is a recurring feature in which we definitively handpick the very best performances from an iconic actor or actress.
Not since Laurence Olivier has a man been so singularly emblematic to the profession of acting, in its purest form, as Kevin Spacey. No method tricks, no allowance for celebrity to cast a shadow over his performances, Mr. Spacey is a capital-A actor. A Julliard graduate who cut his teeth performing Shakespeare and Chekov, he is equally equipped with unflappable cool, Carsonesque wit, and abundant charm. He’s the Clintons’ go-to entertainment surrogate and The Tonight Show’s resident thespian. He’ll even teach you his craft through Master Class.
A Tony, BAFTA, Golden Globe, and two-time Academy Award winner, Spacey has knocked out classic performances in every medium he’s approached and is currently doing some of his best work in television on the Netflix original drama House of Cards as the duplicitous Frank Underwood.
Best known for playing villains (Se7en, Superman Returns), dissatisfied domestic men (The Ref, American Beauty), and increasingly horrible bosses (Swimming with Sharks, Horrible Bosses), Spacey has had a late-career renaissance of late playing corrupt politicians in Cards, Casino Jack, and his latest, Elvis & Nixon — opening this week — as Tricky Dick himself.
A private man, we may never learn about his mysterious past and what makes him tick, but the fun in watching Kevin Spacey is in trying to figure out just who his multi-layered characters really are. Never one-dimensional, and incessantly committed (even if to one of his numerous impressions), the actor is a marvel to watch. To this point, here are his 10 best roles on film.
10. Jim Williams
Midnight in the Garden of Good and Evil (1997)
Nearly two decades before donning a deep Southern accent and duplicitous charm as Frank Underwood in House of Cards, Kevin Spacey was playing a spiritual cousin to our favorite fictional president as Jim Williams, the charismatic and baroque murder suspect in Clint Eastwood’s Midnight in the Garden of Good and Evil. Debonair, devious, and sporting a mustache worthy of a Civil War reenactor, Williams lands as a Southern gothic mix of Hannibal Lecter and The Birdcage.
While the cat-and-mouse chase between Spacey and a game John Cusack isn’t as riveting as the enigmatic actor’s other whodunnits, there is no question that Jim Williams is one of the most colorful and magnetic personalities in Eastwood’s canon. Had the film been a greater success, you could imagine a prequel where we discover just how he procured the “dagger that Prince Yussopov used to murder Rasputin. He sliced off his cock and balls with it.” I’d pay to see that.
Essential Spaceyism: With a line that could have just as easily been uttered by Underwood, “He needed what I gave him, and I needed what he gave me.”