10 Iconic Films That Never Won a Single Oscar

Hindsight's 20-20, but the Academy turned a blind eye on these classics


    Awards like the Oscars are fodder for so much whining and moaning: Who got absolutely snubbed? Who shouldn’t have been nominated? Who should or shouldn’t have won? But, as we sit and nitpick the decisions of a single year’s Oscars over the next few weeks (months, even?), let’s remember that there were decades of questionable decisions made well before we had Facebook comments to spew hogwash and argue about.

    For that reason, we developed a list of 10 iconic films that you would swear had been massive critical successes and won dozens of awards — except they didn’t win a single Oscar. In compiling this list, we narrowed down the offerings to legendary movies that were nominated for Academy Awards but didn’t win a single one.

    So, before you get into the comments and start griping about how The Big Lebowski should have won a bunch of awards, man (we get it, the film really would’ve tied this list together, har-har), remember that these are the movies that could’ve won little gold statues but came up short. It’s a maddening collection, alright.

    –Lior Phillips
    Associate Editor


    Hitchcock’s Greatest Hits (1950-1960)

    psycho 10 Iconic Films That Never Won a Single Oscar

    Nominations: Strangers on a Train — Best Cinematography; Dial M for Murder — None; Rear Window — Best Director (Alfred Hitchcock), Best Screenplay (John Michael Hayes), Best Cinematography, Best Sound; Vertigo — Best Art Direction, Best Sound; North by Northwest — Best Screenplay (Ernest Lehman), Best Art Direction, and Best Editing; and Psycho — Best Director (Alfred Hitchcock), Best Actress in a Supporting Role (Janet Leigh), Best Cinematography, and Best Art Direction

    The fact that Alfred Hitchcock never won a single Best Director Oscar and yet Three Six Mafia has a trophy sitting at home is all the proof you need to know that the Academy Awards is full of shit. But man, what a political move, huh? Not one goddamn win? Given his handful of advantageous nominations (see above), he must have either fucked someone over royally behind the scenes or simply suffered from bad luck at award ceremonies. After all, even then it was hard to dispute that he wasn’t the most iconic visionary to grace Hollywood, turning his productions into sweeping events that seemingly froze the nation.

    Today, his string of greatest hits, most notably 1954’s Rear Window, 1958’s Vertigo, 1959’s North by Northwest, and 1960’s Psycho, remain some of the most influential films of all time, taught in colleges all across the world and critiqued by generations of film critics. He’s responsible for the modern thriller, he gave new meaning to the word “auteur,” and he essentially paved the way for DePalma, Carpenter, Nolan, Spielberg, and Fincher. So, when you watch Cary Grant run through the cornfields or follow Jimmy Stewart around San Francisco as he tails Kim Novak, try not to forget that the Oscars never once found any of it to be genius enough for their ridiculously dubious standards. That should put any future upset into perspective. –Michael Roffman


    12 Angry Men (1957)

    12 angry men 10 Iconic Films That Never Won a Single Oscar

    Nominations: Best Picture, Best Director (Sidney Lumet), and Best Screenplay (Reginald Rose)

    In many ways, it’s not surprising that Sidney Lumet’s 1957 adaptation of Reginald Rose’s acclaimed teleplay 12 Angry Men left the 30th Academy Awards empty-handed. Credit Oscar for nominating the unlikely film at all. After all, apart from its opening and closing moments, the film’s action, mostly fidgeting in chairs and rehashing testimony, takes place in a single stuffy deliberation room. But it’s what those 12 men bring into the room with them – different experiences, prejudices, and worldviews – and what our system of justice ultimately requires them to set aside that creates a film so compelling and explosive that it threatens to blow the windows clean out of that jury room.

    Credit Lumet for using his camera to create a moral claustrophobia that still suffocates 60 years later, Henry Fonda’s Juror #8 for holding a mirror up to our own souls, and arguably the greatest ensemble cast of all time for one rich, gritty, epiphanic performance after another. 12 Angry Men is one of those rare films that shifts the cargo in our hauls without our consent. That it remains so relevant and beloved more than half a century later speaks to something invaluable and eternally hopeful about both the American and human spirit. –Matt Melis

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