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The 10 Greatest TV to Film Adaptations

Successful victories from the idiot box to the silver screen

The Fugitive
The Fugitive (Warner Bros.)
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    Television has proved quite groundbreaking in recent years. Mad Men, Breaking Bad, Friday Night LightsGame of Thrones, Curb Your Enthusiasm, True Detective, Louie, and countless other series worth binge-watching have all turned our collective heads away from the silver screens and overpriced popcorn stands. Yet that hasn’t stopped producers and filmmakers from taking past serials and turning them into big blockbusters for cinemas worldwide.

    This week, Dax Shepard and Michael Peña star in CHiPs, a modern reimagining of Rick Rosner’s original buddy cop series that ran on NBC from 1977 to 1983. In anticipation, Consequence of Sound decided to revisit the more successful adaptations over the years and slotted out their 10 favorites. Not all of them surpassed their source material, but each one hit the mark nonetheless. So, flip ahead and share your own recommendations below.

    Note: We did not include any films adapted from material outside the original TV series (e.g. The Untouchables) or continuations of an established program (e.g. Wayne’s World).


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    10. Twilight Zone: The Movie (1983)

    Twilight-Zone-the-Movie

    By 1983, creator Rod Serling had been dead for eight years. So, why The Twilight Zone was ever up for grabs is beyond me. But the groundbreaking television series wound up making for an exceptional anthology movie, namely for its use of talent: Steven Spielberg, John Landis, Joe Dante, and George Miller. Working with some diamond source material — specifically, episodes “A Quality of Mercy”, “Kick the Can”, “It’s a Good Life”, and “Nightmare at 20,000 Feet” — the directors were paired with exceptional casts and top-of-the-line SFX. While the shift to horror certainly takes away from the show’s original intent, it’s also what makes the film so sinister. “Wanna see something scary?” Dan Aykroyd asks a National Geographic-singing Albert Brooks. The answer, of course, is what follows: the movie. The real answer, however, is reading why second assistant director Andy House replaced his name with the pseudonym, Alan Smithee, in the film’s credits. Blech. –Michael Roffman


    09. Miami Vice (2006)

    miamivice The 10 Greatest TV to Film Adaptations

    Michael Mann’s reimagining of his iconic ’80s hit proved polarizing in 2006. Nostalgic filmgoers went in expecting witty dialogue, playful banter, and bright colors, all attributes of the original NBC series. Instead, they found a grim, mostly silent film about two undercover detectives amidst an international drug war. At its core, though, Miami Vice does a fine job in capturing the essence of its namesake. Moody long shots, peppered with some of the best ambient (Moby) and post-rock (Mogwai) of its era, capture themes of identity, forbidden love, and trust. Released long before the term “mumblecore” was coined, Mann’s gritty exercise in realism, from the minimal dialogue to the eye-popping violence, isn’t for everyone, which was technically the film’s undoing. However, Mann focused on what made the original so great and iconic — not the characters, but the moods — and turned in that year’s most gripping action vehicle. That Nonpoint cover, though… –Michael Roffman


    08. Edge of Darkness (2010)

    edge of darkness The 10 Greatest TV to Film Adaptations

    There are teenagers reading this feature who will recognize Mel Gibson not as Mad Max, but Mad Mel, thanks to his infamous drunken interaction with the police in 2006 and taped, vicious phone calls in late 2010. Edge of Darkness, adapted from the BBC miniseries of the same name (and with the same director), was filmed and released in between the aforementioned incidents and sadly got lost in the shuffle. It’s Gibson’s first lead role in nearly a decade, as a father trying to figure out why his daughter was killed and track down those responsible. You know who is a convincing griever on screen? Mel friggin’ Gibson, dating all the way back to that final shot in Peter Weir’s Gallipoli back in 1981. Edge of Darkness has action, but it’s much more of a drama than the previews would lead you to believe. –-Justin Gerber


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