Pearl Jam 30 marches on towards Gigaton with a look back at veteran CoS writers Collin Brennan and Ryan Bray debating the best grunge band of all time. Also, be sure to check out our definitive Pearl Jam album ranking and our favorite concerts.
Today, grunge is as immediately identifiable as hip-hop, R&B, soul, country, or any other musical genre. For that, we can thank Nirvana, Pearl Jam, Alice in Chains, and Soundgarden. Grunge’s top four musical exports helped dictate the course a wide swath of popular music would take in the ‘90s, and their songs and records still hold up today. But how well? And whose stand up the best?
To commemorate the 25th anniversary of the Singles soundtrack and Seattle’s rise to pop music prominence, CoS scribes and seasoned grunge gurus Collin Brennan and Ryan Bray broke down and analyzed all four bands in a number of categories to determine which has best stood the test of time.
Collin Brennan: I suppose we should start with the elephant in the room — that dreaded word, grunge. As with any general term used to describe a lot of specific things, it seems a bit reductive. To kick this off, Ryan, I want to ask a pretty vague question: How does the word “grunge” make you feel, and do you think we might be doing these bands a disservice just by means of tossing them all into the same box?
Ryan Bray: As I’ve gotten older, I’ve kind of pushed back against genre labels. The more time you invest listening to music, the more you realize how pointless it is.
But it’s not hard to understand how “grunge” came to be. All these bands not only shared a look and an image — they were from the same damn city. When Nirvana blew the barn doors off shit in 1992, it was inevitable that the Seattle scene was going to be packaged and pigeonholed. It’s just the way we’re programmed to understand things.
That said, I hardly think all of the bands that came out of the grunge moment are clones. In the case of Nirvana, Pearl Jam, Soundgarden, and Alice In Chains, each band introduces enough wrinkles into the formula to stand on their own two feet. To that end, I think blanketing everything that came out of the Pacific Northwest as grunge kind of did a lot of bands a disservice. What say you?
CB: I actually got into Nirvana a few years after discovering bands like Ramones and Black Flag, and for a lot of the same reasons. I remember being 14 and running around telling anybody who would listen that Nirvana was a punk rock band, dammit! This seemed like a crazy revelation at the time, but looking back, it’s obvious that punk and hardcore played a tremendous role in shaping the grunge sound.
And one of the traits grunge inherited from punk is its very tangible sense of locality. You’re right, all of those bands can stand on their own two feet, yet somehow they’re all intrinsically connected by Seattle and the Pacific Northwest. I think if the term “grunge” has any use, it’s to sort of connect the dots between the various riffs on punk and hardcore and heavy metal that were going on in Seattle around the early ’90s.
So, I’m not going to feel too badly about what we’re about to do, which is to figure out, ONCE AND FOR ALL, which grunge band stands tallest among the heap.
RB: Full disclosure, I’m wearing flannel.
CB: Full disclosure, I haven’t showered in three days. So, we’ve gone ahead and broken this convoluted contest down into eight categories, some of which may be more subjective than others. We’ll see. Let’s rank ‘em by category, and let the devil sort ‘em out from there.
01. Pearl Jam
02. Alice in Chains
RB: Straight away, I sized this up as a battle between Pearl Jam and Soundgarden. Nirvana and Alice never gave themselves to big, theatrical guitar solos the way the others did. Kim Thayil can wail, and he takes the lead on some of Soundgarden’s best work (“Rusty Cage”! “Spoonman”!), but it still doesn’t quite measure up to the combo of Mike McCready and Stone Gossard. Pearl Jam, especially in their early years, soared on the wings of those two guys. I think Ten, I think guitars.
CB: Obviously, Kurt Cobain is at a bit of a disadvantage in this category, being only one man and not possessing the four arms necessary for true riffage. I think Nirvana’s earlier work contains some of the best riffs in all of grunge (“Negative Creep”, especially), but yeah, it doesn’t quite measure up to the titanic riffzillas perpetrated by McCready and Gossard.
I think you’re really underestimating Alice In Chains here, though. Jerry Cantrell is a fucking badass, and I defy you to find any riff in Pearl Jam’s catalog that rips quite as hard as the first 30 seconds of “Dam That River”. HUUUYAH. Nobody in grunge leaned quite as hard on the wah pedal as Cantrell. We forget that Jimi Hendrix was from Seattle, too, and that shit really found its way into ol’ Jerry’s bones.
RB: Maybe, and I mean no disrespect to Jerry. Truthfully, I think any of the bands could floor the competition if they’re not sized up against one another. But tough decisions have to be made here. I need to give Dirt another go ‘round.
CB: Before we leave this topic, I’ve got to ask: What’s your all-time desert island Pearl Jam riff? I’m going to be a bit of a frontrunner and say it’s that woozy groove in “Alive”. Sorry, when it comes to Pearl Jam, my tastes are a little #basic.
RB: Ooh, good one. I could pick almost anything on Ten. That fucker’s a guitar riff treasure trove. But for the sake of digging deeper, I’ll go with “Blood”.
03. Pearl Jam
04. Alice in Chains
CB: I mean, come on, bruh. If you know anything about Consequence of Sound and our cultish obsession with Dave Grohl, you’ve got to know that Nirvana is going to win this one with an 11th inning walk-off home run.
But in all seriousness, nobody in this group slammed the skins quite like Grohl in his heyday. Say all you want about the iconic guitar riff behind “Smells Like Teen Spirit”, but when I think of that song, I think first and foremost of the drums diving headfirst into the chorus. BA DUH DAH BA DUH DAH BA BAM!
RB: I’ve long been on record about my love of Dave Grohl the drummer. But even taking personal preference out of the equation, Grohl wins here by almost any objective measure. Not only did his force and power behind the kit help propel Kurt’s songs, but he also brought a lot of technical soundness. Grohl is to grunge what Bonham and Moon are to classic rock.
That said, can we talk for a minute about Matt Cameron? Simply incredible. The chops and musicianship he brought to Soundgarden in many ways made that band what it is. When he joined Pearl Jam, I think he brought that band into different musical spaces it wouldn’t have explored without him. I can’t imagine a record like Binaural or Yield with Dave Abbruzzese behind the drums, you know.
CB: Yessir. Back when Abbruzzese was making a stink about his non-inclusion in the Rock and Roll Hall of Fame, I wasn’t really buying it. Cameron really brought a new dimension to that band that helped carry them to places way beyond what Ten and even Vs. might have predicted. And the fact that he also laid down some of Soundgarden’s more thunderous beats (and fucking WROTE songs like “Jesus Christ Pose” and the underrated “Rhinosaur”) means that he more than earned his place in the Grunge Hall of Fame, which I think is located in some dark alley near the Fremont Troll.
01. Pearl Jam
04. Alice in Chains
RB: Well shiiiiit. Four bands, four iconic frontmen. What to do? Chris Cornell obviously has the pipes and vocal range that his peers can’t touch. Layne Staley, on the other hand, really embodied the brooding sensibility that always lingered in the heart of the Seattle grunge scene. Still, this comes down to Eddie Vedder and Kurt Cobain.
Part of me is tempted to give this to Cobain, a guy who in the eyes of many is the figurehead of the grunge movement. But Vedder’s endurance and endless integrity have increasingly won me over over the years. Beyond being an incredible performer, he’s really evolved into a great Everyman frontman, if that makes sense. I look at him and see what pretty much every singer should aspire to, no posturing or douchebag rock star nonsense. Just grit and heart.
CB: This one’s like that proverbial race between the tortoise and the hare, ain’t it? It’s incredibly hard to overestimate Cobain’s influence on grunge and on alternative music in general. Turn on modern alternative rock radio in 2017 and you’ll still hear young singers trying desperately to ape his trademark wail, not to mention his brooding nihilism and introverted poetry. The guy is an icon who didn’t need time to evolve in the sense you’re talking about with Vedder — he came into the pop musical consciousness as a screaming banshee with a softer side, and that’s pretty much how he left us, too. Books will continue to be written and documentaries will continue to be made about Cobain until the end of the world because we’re fascinated with how much we still don’t know about him and enchanted by the clues he did leave us.
Vedder obviously doesn’t have the same mystique. He’s the guy who will party in the Chicago Cubs locker room and bring a 10-year-old guitarist on stage to jam just because it’s the sweet thing to do. I’ve always seen him as the Bruce Springsteen of grunge — the guy with the magnetic personality that everyone wants to see in concert and, if they’re lucky enough, hang out with in person. I’m more inclined to reward longevity and magnetism because those are inherently harder things to pull off, so I’m going with Vedder here. But make no mistake: When it comes to the “what could have beens,” nobody’s beating Kurt Cobain.