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Quiet Slang shares the Origins of intimate rendition of Beach Slang’s “Noisy Heaven”: Stream

The stripped-down side project from James Alex drops its debut LP on May 18th

Quiet Slang Origins, photo by Charlie Lowe
Quiet Slang Origins, photo by Charlie Lowe
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    Origins is a recurring new music feature that finds a musician breaking down the various influences of their latest song.

    In the fall, Beach Slang’s James Alex debuted his Quiet Slang project with the We Were Babies & We Were Dirtbags EP, a collection reimagining the rowdiest cuts of his catalog as intimate ballads wrapped in lush strains of cello and piano. On May 18th, he’ll doubling down on the experiment with a full-length LP, Everything Matters But No One is Listening

    We’ve already heard how this stripped-down approach transformed Cheap Thrills on a Dead End Street stomper “Dirty Cigarettes”, and now Consequence of Sound is debuting Quiet Slang’s take on “Noisy Heaven”. Originally from 2015’s The Things We Do To Find People Who Feel Like Us, the song has emerged as Beach Slang’s calling card, but James turns it into something quite different here.

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    “The night is alive/ It’s loud and I’m drunk,” it begins, a lyric that well sums up Beach Slang’s sweaty, starry-eyed, and in-the-moment aesthetic. It’s hard to imagine the raucous song without the cathartic storm of guitars that close out the original version, but Quiet Slang’s reinvention subs in ribboning strings and a chorus of ghostly voices that may as well be the sound of fading memories. Like all of Quiet Slang’s work, it layers in a strain of melancholy that works to transform Alex’s romantic lyrics into something more plaintive. They become hazy reflections rather than paint-splattered portraits.

    Check it out below.

    For more on what influenced Alex’s creation of “Noisy Heaven” and its Quiet Slang reinvention, he’s broken down the Origins of the track. Interestingly, art, poetry, film, and music all played a part; read what he has to say below.

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    Gustav Klimt — The Kiss:

    the kiss 19081 Quiet Slang shares the Origins of intimate rendition of Beach Slangs Noisy Heaven: Stream
    This painting made me want to go to art school. It’s blurred and stabbing — a damaged trance or something. Like, patches of shape and thought smeared together to make something unapologetically tender. I suppose, in some delusional way, I was aiming to scrape some of that feeling into this.

    Michel Gondry — Mood Indigo:

    I wrote this scoring against a muted loop of the wedding scene. Lofty target, I know? But that felt like the proper chase. I wanted it to sound the way that scene feels, like a dream state. I wanted it to move like one — to float and swirl. All while keeping itself stitched to the gutter.

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    Charles Bukowski — “The Loser”:

    “Most of the words get stuck in my mouth, but I mean all the ones that punch their way out,” was written as a very direct nod to this poem. I love Bukowski’s use of analogy, especially here, where it’s poet as fighter. Too much writing is flowery and frill, all surrender and no survival. It deserves better.

    The Magnetic Fields — “The Way You Say Good-Night”:

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    It’s pretty fair to say this is the blueprint for whole Quiet Slang thing. Listen at 1:57, the way the mood shifts when the chorus comes around, the way it overwhelms. Yeah, I was chasing that for sure. The whole thing is like a romantic right hook. And Stephin Merritt is an absolute genius.

    Quiet Slang 2018 Tour Dates:
    04/11 – Salt Lake City, UT @ The Complex ^
    04/13 – Portland, OR @ Roseland Theater ^
    04/14 – Seattle, WA @ The Showbox ^
    04/16 – Sacramento, CA @ Ace of Spades ^
    04/17 – San Francisco, CA @ The Fillmore ^
    04/18 – San Diego, CA @ House of Blues ^
    04/20 – Anaheim, CA @ House of Blues ^
    04/21 – Hollywood, CA @ Hollywood Palladium ^
    05/16 – Brooklyn, NY @ Rough Trade
    05/17 – Allston, MA @ Great Scott
    05/18 – Philadelphia, PA @ Underground Arts
    05/19 – Washington, DC @ Rock & Roll Hotel
    06/11 –Toronto, ON @ Drake Hotel
    06/12 – Cleveland, OH @ Beachland Tavern
    06/14 – Milwaukee, WI @ The Backroom at Colectivo Coffee
    06/15 – Minneapolis, MN @ 7th Street Entry
    06/16 – Chicago, IL @ Schubas Tavern
    06/18 – Denver, CO @ Globe Hall
    06/21 – Seattle, WA @ Barboza
    06/22 – Vancouver, BC @ Biltmore Cabaret
    06/23 – Portland, OR @ Bunk Bar
    06/25 – San Francisco, CA @ Cafe Du Nord
    06/26 – Los Angeles, CA @ The Moroccan Lounge
    06/27 – Santa Ana, CA @ Constellation Room
    06/29 – San Diego, CA @ Soda Bar
    06/30 – Phoenix, AZ @ Valley Bar
    07/02 – Austin, TX @ Barracuda
    07/03 – Dallas, TX @ Club Dada
    07/05 – Nashville, TN @ The High Watt
    07/06 – Atlanta, GA @ The Earl
    07/07 – Carrboro, NC @ Cat’s Cradle – Back Room
    07/08 – Richmond, VA @ Chilton House

    ^ = w/ Dashboard Confessional

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