Welcome to Dissected, where we disassemble a band’s catalog, a director’s filmography, or some other critical pop-culture collection. It’s exact science by way of a few beers. This time, we follow Iron Maiden’s legendary career, from their 1980 self-titled debut to their most recent effort, 2021’s Senjutsu.
For over 40 years, Iron Maiden have proven to be one of heavy metal’s most consistent and enduring institutions. They’ve come to define the genre, prolifically releasing albums and touring relentlessly. Their music is a world language, with the British band garnering dedicated audiences on practically every continent.
The Maiden fanbase can be obsessive to the point of zealotry, dissecting the nooks and crannies of every song and collecting the band’s T-shirts and records with fervor (the red Iron Maiden logo and their skeletal mascot, Eddie, remain timelessly metal). Better yet, the band feed the frenzy, continuing to serve the fans with new material and merchandise. If Maiden’s not making a record, they’re on tour. If they aren’t touring, they’re releasing a live album or filming epic music videos or documentaries. The Legacy of the Beast cannot be disputed, nor can the band’s intense work ethic.
Formed in 1975 by bassist Steve Harris, Iron Maiden’s first established lineup — featuring vocalist Paul Di’Anno and drummer Clive Burr — released their self-titled debut in 1980. The daring and aggressive album launched the band to the forefront of the New Wave of British Heavy Metal (NWOBHM) movement, alongside acts like Judas Priest, Diamond Head, and Angel Witch.
Maiden would follow that up with Killers in 1981 before Di’Anno was replaced by ex-Samson singer Bruce Dickinson, with Harris, Burr, and guitarists Dave Murray and Adrian Smith rounding out the five piece. 1982’s The Number of the Beast introduced the epic songwriting and literary lyricism that would become the band’s trademark. It also provoked controversy with its hellish cover art, resulting in the cultural misconception that Iron Maiden and its fans were Satanists.
Drummer Nicko McBrain would replace Burr the same year The Number of the Beast was released, and more legendary albums would follow in the 1980s, as the band incorporated more progressive influences and dynamic production. Always savvy on the commercial end, Iron Maiden made to sure to cut a few widely heard singles (“The Trooper,” “Wasted Years”) for the casual headbanger while also delivering colossal full-length albums that play out with cinematic grandeur (Powerslave, Seventh Son of a Seventh Son).
Changes would affect the band beginning in 1990. Smith departed (to be replaced by Janick Gers) and Dickinson began a solo career, eventually exiting after 1992’s Fear of the Dark. British vocalist Blaze Bayley took over for two ill-fated LPs until Smith and Dickinson rejoined the group in 1999, unleashing the excellent comeback Brave New World in 2000. Gers remained alongside Murray and Smith, with the band now boasting a potent triple-guitar attack.
Since then, the band has released five more studio albums, the latest being 2021’s Senjutsu. It’s one of the most diverse Maiden records in years, often recalling the band’s ’80s material, and it got us thinking about the entire Iron Maiden discography. How do the albums measure up against one another? Take a trip through Maiden’s iconic discography below.
— Jon Hadusek
Senior Staff Writer