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Outside Lands 2021 Recap: Lizzo, Vampire Weekend, Glass Animals and More Highlights

The Strokes, Caroline Polachek, Sofi Tukker, Rico Nasty and more artists also performed over the Halloween weekend

outside lands 2021 recap
Glass Animals/Lizzo/Vampire Weekend, photos by Kris Lori
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    Halloween weekend in San Francisco is typically filled with costumed party goers parading the streets in style, but this year was a bit different: with the Outside Lands Music and Arts Festival happening on October 29th-31st instead of its usual August slot, people moved from the windy roads of the city to the scenic Golden Gate Park.

    Shifting the festival to October makes sense regardless of the delays and cancellations from the pandemic; the weather in San Francisco is almost exactly the same, albeit a little colder (jackets at a festival never hurt anybody!). And although the festival didn’t have a 2020 edition, being at Outside Lands this year felt more like a celebration than ever before. Many noteworthy aspects of the Outside Lands experience returned, including the ever-changing psychedelic lighting on the massive trees surrounding the fields and, of course, unforgettable performances.

    This year also had some new features: celebrity chefs paired up with artists and comedians at a new stage called “Gastromagic,” there were two “acoustic” stages at Cocktail Magic and Grass Lands (the festival’s sectioned-off, 21+ area in which you could purchase and consume cannabis from a variety of Southern California growers.)

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    Overall, Outside Lands was vibrant, fun, and of course, spooky. With headlining performances from The Strokes, Lizzo, and Tame Impala (a pretty terrific trio of headliners, pandemic year or no), several artists donned wonderful Halloween costumes and honored the occasion beyond the holiday: the return of live music and festivals after months and months of uncertainty.

    Here’s our recap of how it all played out. Plus, see our photo galleries from the weekend here.


    Guitar Bands Are Not Dead

    San Francisco is a city that’s known for its extensive contribution to rock and roll history, and with Golden Gate Park situated mere miles away from the historic Height-Ashbury neighborhood, that energy was well represented at this year’s Outside Lands.

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    There’s something particularly special about seeing psychedelic rock in San Francisco, and Tame Impala’s impressive set and dazzling visuals were certainly welcome. Tame Impala have played and headlined so many festivals at this point that their show is more about adding to the Tame Impala experience — as opposed to what The Strokes did, which was a sort of barebones, stand-there-and-play-the-hits show.

    That said, with all the incredible psychedelic visuals, extended jams filled with phasers and their tight, signature full-band sound, Kevin Parker is still a bit resistant to bringing songs from 2020’s excellent The Slow Rush to life: instead, most of the set was comprised of songs from 2015’s Currents. He’s added many more elements to the show since the massive Currents tour, but if the set is virtually the same nearly seven years later, it’s time to change things up a bit.

    On the other hand, The Strokes definitely felt like playing the hits on Friday night, and the crowd sing-along was worth the wait. Though Julian Casablancas kept complaining about the mix and volume of the set, The Strokes actually sounded remarkably clear and polished from where this writer stood: listening to Albert Hammond Jr. and Nick Valensi’s individual guitar parts move cohesively together completely elevated the set, and even with sparse production, there were some gripping moments of rock.

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    the strokes outside lands 2021

    The Strokes, photo by Kris Lori

    Elsewhere at Golden Gate Park was an absolutely electrifying Post Animal, who opened Saturday with a scorching set filled with songs from their debut When I Think Of You In A Castle as well as their 2020 album Forward Motion Godyssey. Post Animal was particularly exciting in that every member of the group sings, so the set featured some stacked, billowing full-band harmonies as each member traded lead vocals.

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