Tool’s 10 Best Songs

Ranking the best tracks by the masters of progressive metal

tool best songs
Tool (photo by Travis Shinn)

    No one crafts equally perverse and philosophical slices of prog metal quite like Tool. Indeed, the quartet (drummer Danny Carey, vocalist Maynard James Keenan, bassist Justin Chancellor, and guitarist Adam Jones) have spent the last 30-odd years fusing the industrial salaciousness of Nine Inch Nails with the mesmeric sophistication of Pink Floyd and King Crimson, yielding a beloved sound all their own.

    The acclaimed band, set to launch a 2022 US tour (get tickets via Ticketmaster), has evolved significantly without losing sight of its most vital trademarks, ensuring that all of its work feels at home within the same catalog.

    In a nutshell, 1993’s Undertow and 1995’s Ænima perpetuated rougher and more risqué syntheses of progressive and alternative metal. Then, 2001’s landmark Lateralus offered a perfect bridge between that glorious griminess and the more artsy and academic approach of 2006’s 10,000 Days and 2019’s Fear Inoculum. Throughout it all, Tool have upheld a brilliantly characteristic knack for challenging rhythms, twisted guitarwork, emotional yet empowered vocals, arresting music videos, and stirring artwork (often provided by Jones).


    Naturally, Tool have earned plenty of praise for those triumphs, including six Grammy nominations (with three wins) and the “Top Rock Album” trophy at the 2020 Billboard Music Awards. Dozens of other artists — from metal siblings like Mastodon, TesseracT, Gojira, Chevelle, and Karnivool to less obvious acts like Tame Impala and St. Vincent — consider them an influence, as well.

    Although they’ve penned dozens of great tunes over the years, some clearly outshine others. So, to coincide with the kickoff of Tool’s 2022 US tour (get tickets here), we’re offering our picks for 10 of the quartet’s tracks that truly reign supreme.

    — Jordan Blum,
    Contributing Writer


    10. “Eulogy”

    Many Tool songs begin with a troubling prelude, yet few others can rival the subtly nightmarish leisure of “Eulogy.” Of course, that initial blend of soft guitar strums, punchy chords, and concurrently organic and off-kilter percussion provides a great backdrop for Keenan’s cold proclamations. The robotic distortion on his voice makes him sound markedly disconnected, too, adding to the prevailing sense of atmospheric tragedy. Before long, it’s complemented by more corrosive sound effects and standard metal elements, cementing the piece as an intoxicatingly moody gem. — Jordan Blum

    09. “Prison Sex”

    An early staple in Tool’s setlists was “Prison Sex,” the second single from 1993’s Undertow. Adam Jones’ bluesy, Southern-rock inflected riff provides the main hook, rendered through a modified drop-B tuning for added weight. It’s a raucous straight-forward rocker — an unexpected coda providing the obligatory prog turnaround — though Keenan’s lyrics add a heavy emotional subtext. As implied by the disturbing Jones-directed music video, the song deals with abuse, as Keenan elaborated to a Montreal audience in 1996: “This song is about recognizing, identifying, the cycle of abuse within yourself.” — Jon Hadusek

    08. “Fear Inoculum”

    The epic opening title track to the long-awaited Fear Inoculum ensnares the listener. After a few bars of hypnotic repetition via a chunky Adam Jones riff, we’re quick to forget we waited 13 years to hear this. It was like Tool never left, musically falling right in line with the cerebral psychedelia of 10,000 Days and the tasteful prog that’s become their trademark. Hearing it with the shimmering fidelity of a late 2010s recording is perhaps the greatest perk to the long gap between records. The band is hitting on all cylinders, Maynard’s voice sounds unaltered by time, and the composition meets the band’s staunch standard. — Jon Hadusek


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