“It was Hope that was kept in the innermost nook of the box. It trailed behind the miasma of darkness, assuaging the ill effects on humankind. Hope gave people the will to keep on living amidst the pain and strife.”
The introduction of j-hope’s full-length debut solo album, Jack in the Box, is a female voice recounting the myth of Pandora’s Box; it’s a story j-hope, who was born Jeong Hoseok, has long gravitated towards, and a partial source of his stage name.
For nearly a decade now as part of BTS, j-hope has more than lived up to the name. He’s embodied it — epitomized it, even — by developing a reputation as the ray of sunshine in the global, record-smashing group. His energy onstage is astounding; anyone who is lucky enough to have seen BTS in concert inevitably walks away amazed by the seemingly endless well of passion and precision he possesses as the dance leader of the group.
“My name is my life,” is the opening line of j-hope’s 2018 mixtape, Hope World, a seven-track, neon-soaked collection of bright beats and optimism. Even recently, BTS’s label BIG HIT MUSIC shared behind the scenes footage of the group preparing for their performance at the 2022 Grammy Awards. Multiple members fell sick with COVID during the rehearsal process — j-hope among them — and when he finally returns to the practice room, there’s visible relief among his members. “Now that Hobi is here, everything is falling into place,” Jimin says. “Don’t be sick, for my sake — my life is harder without you.”
With familiarity often comes expectations, though, and after ten years, j-hope has made it clear that he has been itching for a different lens through which he can explore his creative identity. It’s arrived today, July 15th, in the form of Jack in the Box, the first full-length solo album from any of the members of BTS, and we are decidedly no longer in Hope World.
”I Want Some More”
The streaming press preview for Jack in the Box was accompanied by a note from the artist kindly requesting the listener play the album in order. j-hope shares that his goal was for the project to “flow like a well-written book,” and that’s a front on which he succeeds.
The tracks glide from one into the next with the same smoothness j-hope possesses as a dancer. The structure of the LP recalls the Hero’s journey, the mythical framework so many stories follow to this day. In the beginning of the album, there’s definite unrest in tracks like “Pandora’s Box,” followed by a sense of conflict in “MORE” and “STOP.”
Then, there’s a shift to feelings of triumph and brightness in the latter half of the album (the split marked by the interlude “Music Box: Reflection”). There’s an excellent three track run from “What if…,” an energetic song that samples Ol’ Dirty Bastard’s “Shimmy Shimmy Ya,” into mid-tempo standout “Safety Zone” before a touch of Hope World familiarity returns in the optimistic “Future.”
With 10 full tracks to work through, Jack in the Box certainly feels like a full-length effort, and it’s clear that j-hope took great care in organizing and structuring the project. Interestingly, though, most of the tracks fall under the three-minute mark, with “MORE” being the longest song on the project at three and a half minutes. It’s his own work through and through, though, devoid of any features or collaborations.
In true j-hope fashion, even the songs with darker sonic landscapes are often betrayed by a hopeful message in the lyrics. One of the great joys of a BTS album is the many listening experiences offered therein: A first pass can be entirely focused on the sound and energy of a project, with a second listen dedicated to the lyrical journey. “STOP,” for example, with its gritty, minimalist vibe, is centered on the idea that “there are no bad people in the world.”