With 2012 over halfway over, this seems like as good a time as any to start getting things together for the inevitable “year end” list. So let’s keep it simple: Here are ten awesome and overlooked trashy, garage rocky, power poppy, grungy, grimy, slimy, noisy releases that I haven’t already talked about in this column this year.
1) Spacin’ – Deep Thuds
Over in Philadelphia, critical attention has rightfully been focused on Kurt Vile and The War on Drugs. But the city’s unsung hero is Richie Records, the label run by Richie Charles that puts out scuzzy gems like the debut offering from Spacin’. Deep Thuds is equal parts spaced out atmosphere (duh) and classic rock hooks. The band’s led by Jason Killinger of the great Philly band Birds of Maya, and even though the album only had a whirlwind micro-pressing, it’s well worth seeking out.
2) Thee Marvin Gays – Thee Marvin Gays
This thing actually came out late last year, but I’m lumping it in my year end list as a release that “made impact” this year. (Analogy: Remember when R. Kelly’s Love Letter came out and nobody reviewed it until the next month? This is like that. Yeah, that’s the ticket.) Infectiously hooky garage gems from Belgium.
Check out Thee Marvin Gays Bandcamp.
3) The Raw Nerves – The Raw Nerves
Nearly every song on the Auckland, New Zealand band’s self-titled album is under two and a half minutes long, and each one is a hit. They’ve got tracks that hint at choogling late ’50s rock’n’roll with the snarling energy of Memphis garage.
Check out The Raw Nerves Bandcamp
4) Heavy Cream – Super Treatment
Super Treatment, the Nashville band’s sophomore LP, gets some of that San Francisco shine. This album was produced by Ty Segall and his longtime collaborator Eric Bauer, meaning the fuzz is heavy. Of course the band’s to blame for the punk rock muscle, growling vocals, and kinetic energy.
5) Apache Dropout – Bubblegum Graveyard
[Trouble In Mind]
The Bloomington boys play primary colored rock songs that reference old novelty tracks, the Archies, ghost stories, and candy while shrieking over psychedelic jangle and blown out power chords.